Competitions
Print Competitions:
Monochrome, General-A and General-B and one additional category from the following:
Nature, Photojournalism (PJ), Creative and Travel. Each entrant is allowed a maximum
of three (3) prints per category, but not to exceed a total of six (6) entries.
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Preparation of Print Entries:
All print entries must be mounted on mounting board and matted with maker's choice of matboard.
While there are no restrictions on the choice of matboard for the monthly critique,
the annual show may have different criteria. Total thickness, including the window mat,
may not exceed 1/8" and the dimensions not larger than 16" x 20". A 2" x 4" identification
sticker properly filled out must be placed at upper left corner on the back of the print.
- Series:
Series of unlimited number of prints must be mounted all on one mounting board and have one title.
Series are permitted only in Nature and Photojournalism divisions.
Digital Competitions:
Digital competitions may be held on the same day as Print.
Categories are: Monochrome, General-A, General-B, and one additional
category from the following: Nature, Photojournalism (PJ), Creative and Travel.
Each entrant is allowed a maximum of three (3) per category,
but not to exceed a total of six (6) entries.
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Preparation of Digital Entries: Maximum pixel size is 1024 (horizontal) x 768 (vertical). Apply any sharpening after resizing.
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Naming the files: Each file should have a unique name "MI-CCCC-Nnnnn_nnn_nnn.jpg", as explined below:
- MI for Milpitas Camera Club. We do this because we have in the past participated in multi-club competitions and we might do so again in the future.
- CCCC for the image category (see the Categories section below for descriptions):
- PicA: General-A
- PicB: General-B
- Mono: Monochrome
- Land: Landscape
- Nat: Nature
- PJ: Photojournalism
- Trav: Travel
- Cre: Creative
- Nnnnn_nnn_nnn for image name. Please do not use spaces; use a dashes ("-") or underscores ("_") instead.
- .jpg for file type; ".jpg" and ".tif" files only.
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E-mail the files to: digitalcompetition@milpitascamera.com.
Carefully follow the Digital Chair's instructions which members shall receive
prior to the competition date.
Categories
General-A, General-B: (PicA and PicB)
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Color image, any subject is eligible. The entire photographic process,
except film/print processing, must be the work of the maker.
The original image must be made on photographic emulsion or acquired
with a digital camera. In judging, the emphasis is on interest,
visual impact, composition and technical excellence.
Compete in General-A if you feel you are more advanced photographer,
General-B if you are a beginner or a new member.
Monochrome: (Mono)
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The same said for the General above applies to the Monochrome
except that the final element is in the form of a Black & White
or one-tone image. Color provided by a toning process (chemically or digitally)
is acceptable in this category. Hand-painted monochrome prints
are entered in the General or Creative Division.
Landscape: (Land)
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A landscape photograph must have as its main focus the elements of earth, water, or sky.
The category may include cityscapes and seascapes. Landscape photographs have a deep
feeling of "space" about them.
A Landscape photograph is a picture of an overall scene, rather than any one thing.
Unlike the category "Nature," Landscape may include man-made objects, as long as
they lend to the definition of the place. An old barn in a pasture would be fine.
Nature: (Nat)
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Entries in this Division depict observations from all branches of natural history,
except Anthropology and Archeology in such a fashion that a well-informed person
will be able to identify the subject material and to certify to its honest presentation.
The storytelling value of a photograph is weighed more than the pictorial quality.
Human elements should not be present unless on the rare occasion where those
human elements enhance the nature story. The title is integral to the image.
It should be scientific, factual and descriptive.
Photojournalism: (PJ)
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Photojournalism entries consist of pictures or sequences with informative
content and emotional impact, including human interest, documentary and spot news.
The journalistic value of the photograph is considered over the pictorial quality.
In the interest of credibility photographs that misrepresent the truth, such as
manipulation that alters the subject matter or situations that are set up for the
purpose of photography, are unacceptable in this Division. The title is integral
to the image and should complement the story.
Travel: (Trav)
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A Travel photograph must express the feeling of a time and place, portrays a land,
its people or a culture in its natural state and has no geographical limitations.
Ultra close-ups that lose their identity, studio type model shots or photographic
manipulations that misrepresent the true situation or alter the content of the image
are unacceptable in this Division. The title is integral to the image and must
include the name of the place.
Creative: (Cre)
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A creative photograph is an image of altered reality, produced by use of tools or
techniques to manipulate the image during any part of the work flow. Emphasis in
this Division is placed upon creativity and originality. A few examples of tools
and techniques to produce creative images:
- Special effect filters
- Multiple exposures
- Time exposures
- Sandwiches
- Collages
- Shoot through various media such as textured glass or foggy windows
- Camera movement zoom while shooting
- Use of black light, projection of light patterns onto images
- Use of prisms, mirrors and mylars
- Use of unconventional chemicals to process film
- Optical illusions
- Use of computer software
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